Different rooms.
The same missing operator.

The gap is always the same shape: the cameras are good, the network is fine, and there is nobody in the chair who can make it look like television. Here is what that costs in each room, and what Jeket does about it.

Production-grade signal handling without the rack to match.

You already run IP. What you do not have is headroom: every new channel, every new feed and every new output means another appliance, another rack unit and another integration.

Jeket puts the processing in software and the topology in a file, so a new channel is a resource you apply rather than a project you schedule. ST 2110 in, ST 2110 out, and everything the audience actually watches on the way.

Runs alongside
Your existing 2110 fabric, PTP domain and NMOS registry.
Replaces
Fixed-function keyers, branding processors, analysis appliances and per-channel encoders.
Never replaces
Your switching, your cameras, your timing. Those stay exactly where they are.
The unlock
A new channel costs compute, not capex.

Broadcast output from an AV budget and an AV team.

Leadership has started expecting the all-hands to look like a broadcast, and the people asked to deliver it are the AV team, on the corporate network, with no broadcast engineer anywhere in the building.

Jeket does the operator's job so the team does not have to hire one. The graphics run themselves, the audio is checked continuously, and the whole configuration is a file that IT can review, version and restore.

Runs on
The network the building already has, managed the way IT already manages things.
Replaces
The production company you book for every significant event.
Fits
One box in an existing AV rack, or a pair for the studio that cannot go dark.
The unlock
Every event gets the treatment, not just the annual one.

Athletics, esports and the broadcast programme on one platform.

Three facilities, three vendors, three sets of training, and a crew that graduates every four years. The equipment is rarely the constraint; the constraint is that nobody is there long enough to become expert in all of it.

One platform across all three venues means one thing to teach. And because a chain is a file, last season's setup is still there next season, whoever is running it.

Spans
Athletics venues, the esports arena and the broadcast programme's studio.
Replaces
Three separate production systems and three separate training burdens.
Teaches
Students learn IP video, Kubernetes and live production on the same platform the industry is moving to.
The unlock
Institutional memory survives graduation.

Multi-camera production that keeps working on a bad week.

The cameras were bought. The switcher was bought. Then the volunteer who understood the switcher moved away, and now the stream is one camera on a wide shot.

Jeket runs the show whether or not the right person turned up. Cameras cut, graphics key, audio is checked, and the stream goes where it needs to go. Multi-campus is the same file, once per campus.

Works with
The PTZ cameras you already own, over the protocols they already speak.
Replaces
A switcher appliance, a separate captioning subscription, and the volunteer rota.
Scales to
Multi-campus, where every site runs the same configuration.
The unlock
Production quality stops depending on who is available.

A rig that sets itself up from a file.

Every show is a different room, and most of the day is spent rebuilding the same signal chain in a new building. The shows that cannot carry a full crew get whatever is left after setup.

Templating the chain means the rig arrives configured. What changes per venue is the sources; what does not change is everything downstream of them.

Travels as
One box in a case, plus the switch you were bringing anyway.
Replaces
The rebuild. And, on smaller shows, the operator you could not budget for.
Handles
Multi-platform output, so the client's five destinations are one egress decision.
The unlock
Smaller shows get the production value of bigger ones.

A software line item you can actually quote.

Your clients keep asking for production capability that does not exist as a product you can specify. The answer today is a rack of single-purpose boxes, a long commissioning phase, and a support relationship that means driving there.

Jeket is one line on the proposal, next to the switch, the gateways and the cameras. It commissions from a file, and it supports remotely because the configuration is a resource rather than a state somebody set by hand.

Quotes as
One software line item alongside the hardware you were already specifying.
Commissions from
A template per venue type, applied rather than configured.
Supports
Remotely. The running configuration is inspectable and reproducible.
The unlock
You can say yes to the production brief without becoming a broadcast SI.

Which room is yours?

Book a 30-min Demo